Get this, writers: if you’re ONLY writing one book a year, you’re slacking!
Some of the biggest authors have become so productive that they are nearly an impossible act to follow. Airport bookstores these days can feature not just one stack of James Patterson books, but an entire rack of them, sometimes more than six titles at a time. Mr. Patterson produced 12 books last year, aided on some titles by co-writers. He will publish 13 this year.
“A lot of publishers and authors have looked at what James Patterson is doing and realized, ‘I may not be able to publish nine books a year, but certainly I can do two,’ ” said Brian Tart, the publisher of Dutton, an imprint of Penguin. “They were able to grow him and grow the readership using that strategy.”
Except “James Patterson” isn’t a person, “he’s” a writing factory. Patterson employs a stable of ghostwriters to churn out books at such a rapid pace. Mr. Patterson himself says:
“Look, I’m good at parts of this. I’m certainly not a world-class stylist. But the storytelling is pretty cool and the narrative power of the stuff is usually pretty strong.” He writes ceaselessly, he explains, because it doesn’t exhaust him. “These books are entertainments,” he says. “It’s a very different process than if you’re trying to write Moby-Dick or The Corrections. That’s painful. That’s different from very simple, plot-oriented storytelling. If I was writing serious fiction, I’d want more rest time.”
What’s tragic is that writers are buying into the merit of Patterson-level productivity wholesale. I think my response to the AW thread is worth reposting here:
Even the greats like John Updike, who’s referenced in the article, produced tons of derivative work that wasn’t always up to snuff.
Art takes time. It takes time spent living, experiencing, thinking, feeling, and then committing the product of these processes to paper/canvas/whatever.
Yes, Virginia. Art takes time. Writing fast does not produce art. It produces words. Lots and lots of words. If your goal is to poop out a metric shit ton of words and earn a few pennies by foisting them on readers with low standards, then by all means, write as fast as you can. If, however, you aim to write something a little more substantial than the disposable McDonald’s-caliber fiction of Patterson and his ilk, please take your damn time. Thank you.